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处于当代社会文化转型期中的传统艺术样式,如今已愈来愈感受到一种堤岸将决的苦涩和澹淡。尤其是戏曲艺术,这种况味和情状早已不是什么新鲜的感受了。而在时下这种大力标举商品经济意识。以经济起飞为目的来调整社会生活各个层面的总体文化背景之下,传统戏剧更无法踞伏于由产品经济社会构筑成的遮风蔽雨的象牙塔之中了。它确实裸示了一种是生还是死的焦虑。20世纪即将走到了尽头,而某种世纪末的情调却不断地在骚扰着剧坛。在这种状况下,
The traditional art style in the transitional period of contemporary social culture has now increasingly felt the bitterness and dimness of a bank. Especially opera art, this situation and the situation has long been nothing new feeling. And nowadays this kind of vigorously mark commodity economy consciousness. With the aim of economic take-off to adjust the overall cultural background at all levels of social life, traditional drama can not be submerged in the sheltered ivory tower constructed by the product economy and society. It really shows a kind of anxiety of being alive or dead. The twentieth century is coming to an end, and the late-century sentiments continue to harass the theater. In this situation,