人是万物之灵,“人是创造的最终目的”。康德把人作为他全部哲学问题的归结点,这使他对艺术本体的质的规定显现出创造主体的人性特征,进而使他能很敏锐地猜测到与人的主体能动性不可分的艺术本体的诸多重要特征。而这其中,他把艺术创造主体的天才特征(想象力、独创性、表达审美意象的功能)视作艺术本体的根本特征,这个根本特征的内核即“自由”。 Man is the Spirit of all things, “Man is the ultimate goal of creation.” Kant regarded man as the concluding point of all his philosophical problems, which made his qualitative stipulations of the art ontology reveal the human characteristics of creating the subject, and then made him keenly speculate on many of the artistic entities that are inseparable from the subject’s motivation Important features. Among these, he regards the genius features (imagination, originality and aesthetic image) of the main body of art creation as the fundamental feature of the art noumenon. The core of this fundamental feature is “freedom.”