论文部分内容阅读
伽达默尔的“审美无区分”概念的思想基础,来自于胡塞尔的意向性理论。胡塞尔的意向性理论中的意识与被意指物之间的不可区分的特征,从根源上深入到了审美意识的抽象及“审美区分”思想形成的原因,构成了伽达默尔“审美无区分”对“审美区分”思想批判的基础。在胡塞尔意向性理论的基础上,伽达默尔的“审美无区分”思想认为,审美意识本身并不是纯粹的,是不能从人类的意识整体中区分开来的,审美意识和审美对象是不能分离的,审美意识和审美对象之间是同一的关系。因此,审美判断的纯粹性只是先验的设定,非审美要素是在审美判断时无法回避的。所以对艺术的理解,审美是内核,但不是唯一。
Gadamer’s ideological basis for the concept of “aesthetic without distinction” comes from Husserl’s intentionality theory. Husserl’s Intentionality Theory’s Consciousness and the Indisputable Indiscriminate Features, deeply rooted in the abstract of aesthetic consciousness and the reason of the formation of “aesthetic distinction” The Basis of “Aesthetical Differentiation” Criticism on “Aesthetic Differentiation”. On the basis of Husserl’s Intentionality Theory, Gadamer’s thought of “aesthetic without distinction” holds that aesthetic consciousness itself is not pure, it can not be separated from the whole of human consciousness, and aesthetic awareness and Aesthetic objects can not be separated, the aesthetic relationship between aesthetic awareness and aesthetic objects. Therefore, the pureness of aesthetic judgment is only a priori setting, and the non-aesthetic elements are unavoidable in aesthetic judgment. So the understanding of art, aesthetic is the core, but not the only one.