浅草—沉钟社同仁在人道主义伦理观的指导下,从“为人生”的艺术功能观出发,关注着他们生存其间的都市世界。在前期活动中,同仁们对都市题材作过比较广泛的探索,他们关注过都市知识分子的境遇,也描写过在都市中挣扎求生的其他下层人物的生活,视野显得比较宽阔,但也存在着概念化的痕迹和浅尝辄止的现象。在后期都市题材的创作中,他们调整了反映生活的焦距,把焦点集中在他们有着丰厚积累和深切体验的知识分子题材上,使之成为都市斑驳光影中的基本色调,既真实地写出了他们的生活窘境,又深入地揭示了他们的精神创伤,既对他们表示了深切的同情,又对黑暗社会进行了深沉的控诉,较好地实现了主观思想和客观生活二者之间的融合与统一,并因此形成了其表现都市题材作品的创作特色。 Under the guidance of the humanitarian ethics, Asakusa-Shen Chung Society, from the perspective of the artistic function of “for life”, focuses on the urban world in which they live. During the previous activities, colleagues made extensive explorations of urban themes. They paid close attention to the situation of metropolitan intellectuals and described the lives of other lower-middle-class people who were struggling to survive in urban areas. However, there were also broader The traces of conceptualization and the phenomenon of tasteless. In the later urban themes, they adjusted their focus of life and focused on their intellectual subjects with rich accumulation and profound experience, making them the basic hues in urban speckles, Their predicament in life reveals their spiritual trauma in depth, not only expressing their deep sympathy for them but also deeply committing the dark society and better achieving the integration of subjective thoughts and objective life And unity, and thus formed its performance characteristics of urban performance of the works.