文章运用还原研究的方法 ,返回到陈独秀“五四”时期理论建设原始形态中去 ,对其功利主义和审美论的文学观念进行理论探讨 ,在此基础上提出了陈独秀两种看起来自相矛盾的文学观念统一于“人的解放”的新见解。文章有意识地将陈独秀与“五四”一代人的理论倡导和实践联系在一起进行考察 ,企盼借此为人们认识和理解陈独秀以至整个“五四”新文学理论建设中的“二律背反”现象 ,提供一个通解 The article uses the method of reduction study to return to Chen Duxiu’s “May 4th” period theoretical construction of the original form to the theory of utilitarianism and aesthetic theory of literature to explore, on this basis, Chen Duxiu two seemingly self-contradictory The unity of literature ideas in the “human liberation” new insights. The article conscientiously linked Chen Duxiu with theoretical advocacy and practice of the “May Fourth” generation in an attempt to understand and understand Chen Du-xiu and even the “antinomy” phenomenon in the May 4 new literary theory. A general solution