看到更多的好钢琴,看到更多的口耳相传故事中的钢琴,看到更多的有想法的钢琴,是每个钢琴技师的乐趣,更是幸事。对我而言,亲眼所见的名琴的制作方式和教科书上所写多有不同,使我相信做琴的真理存在于现实之中;做琴的方法依靠口传心授,使我相信对于钢琴而言,很多地方还没有定论。惟其没有定论,还能得以存在独特之美,使得钢琴参差多态。这也是声学钢琴存在的意义所在—— See more good pianos, to see more of the piano in the story of the word of mouth, to see more of the piano with ideas, is every piano technician’s fun, but fortunately. For me, the production of the violin, which was seen with my own eyes, was much different from that written in the textbooks and convinced me that the truth of the piano existed in reality. The method of doing the piano relied on oral tradition to convince me that for the piano In short, many places are not conclusive. But there is no conclusion, but also can exist unique beauty, making the piano varied and polymorphic. This is where acoustic piano exists -