“白毛女片論”,反革命分子亦門(即阿■)作,收在‘詩与現实’文集中,是一篇对‘白毛女’極尽汚衊、歪曲並進而汚衊、歪曲中國共產党及其領導的革命運動的十分露骨狂妄的反動文章。任人皆知:‘白毛女’这一作品是延安文藝座談会以後,我國社会主義現实主義文学底重要收穫之一。‘白毛女’首先証明和標誌着党的文藝方向底正確和勝利?酌庖惠x煌的藝術形象,給革命人民上了一課,在人民中激起了巨大的革命影响。‘白毛女’以高度的党性原則精神和真实的藝術感染力量鼓舞、推動和敎育了 The theory of “white hair woman films” and the counter-revolutionary elements (ie, A ■), which are collected in the collection of “Poetry and Reality,” are articles that are extremely slandering, distorted and even slander against the “white-haired woman” Distorted the Chinese Communist Party and its revolutionary movement led by a very blatant reactionary article. It is well known that ’White-Haired Girl’ is one of the most important achievements in the literary realism of our socialist realism after the Yan’an Literary and Art Symposium. The ’White-Haired Girl’ firstly proved and marks the correctness and victory of the party’s art and literature. The artistic image of the party benefited from the image of Huang and gave a lesson to the revolutionary people and aroused great revolutionary influence among the people. ’White-Haired Ladies’ Encouraged by the Spirit of the Party Spirit and the True Artistic Infection, Promoted and Fostered