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在民国美术的坐标上,鲁迅是美术革命运动最伟大的先驱者和实践者。民国美术史背景之下的鲁迅,培育了中国创作版画这一新兴的美术品种,丰富了中国美术的内涵,鲁迅的美术思想指导着中国几代美术家的创作。中国美术史发展到清末,日渐萎靡。只有少数画家在中国传统美术基础上有所继承和发展。清政府闭关锁国的政策更使中国美术与世隔绝。这个时期的中国美术是中国美术发展史上的休眠期。清光绪七年,鲁迅在这样的一个时代背景之下诞生。
On the coordinates of the art of the Republic of China, Lu Xun was the greatest forerunner and practitioner of the art revolutionary movement. Lu Xun under the background of the art history in the Republic of China fostered the emerging variety of fine art prints in China, enriched the connotation of Chinese fine arts, and Lu Xun’s artistic thought guided the creation of several generations of Chinese artists. The development of Chinese art history to the late Qing dwindles. Only a few artists inherited and developed traditional Chinese art. The policy of the Qing government to shut down the country even renovated China’s fine arts. Chinese art in this period is a period of dormancy in the history of the development of Chinese art. In the seven years of Emperor Guangxu, Lu Xun was born under the background of such an era.