安东尼·特罗洛普继承了英国文学中的道德传统,他的叙事技巧也受到了较多研究,但尚缺乏结合两者关系进行的全景式研究。在《巴彻斯特养老院》中,小说的叙事艺术与道德倾向形成微妙互关系,文体层面叙事的“介入”对故事层面权力的“介入”构成了反讽,前者塑造了读者的身份自足从而激发真正的同情,后者侵犯了个人自由、漠视个人需求最终导致对人同情的失落,作者正是通过关于“介入”的两种相反的叙事艺术,完成了对其道德倾向的刻画,展现出独特的同情观,同时表达了对维多利亚时代教会、媒体权力泛滥的深度反思及对个人为保全“消极自由”所作努力的肯定。 Anthony Trollopu inherited the moral traditions in British literature, his narrative skills have also been more studied, but there is still a lack of panoramic research that combines the two. In the “Barcaster Nursing Home”, the narrative art and moral tendency of the novel form a delicate interrelationship. The “intervention” of the narrative at the stylistic level constitutes the irony to the “intervention” of the power at the story level. The former forms the reader’s Identity self-sufficiency thus arouses true sympathy, which violates individual freedom, ignoring individual needs and eventually leads to the loss of sympathy for the people, the author precisely through the two “opposite” on the “opposite” of the narrative art, completed its ethical tendencies , Showing a unique concept of sympathy, at the same time, expressing his deep reflection on the Victorian churches and the proliferation of media power, as well as their affirmation of the efforts made by the individual in preserving the “negative freedom.”