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电视剧《黑洞》有一个显著的特点,即重要角色的生命处在袔式一无例外地处于一种尖锐的矛盾与冲撞之中。每个人都好像被逼在了生死阑害的悬崖睙缘,都站在风口浪尖上,有一种紧迫得必须立即作出选择的挣扎状态。这自然就有了惊心动魄的戏剧冲突,诡谲多变、起伏跌宕的情节.也自然就有了一种我们且称之为“荧屏吸引力”的东西,刺激起观众强烈的观赏欲望。应该说这也许娗借鉴了好莱坞的某种类型片的编剧理念。这一理念的市场属性强悍而浓烈,但它是被巧妙而褟密禈凹矘讌祫,娗不易被观众察觉和意识的。这样才能打动人,才能引人入胜。而包藏的深浅,已并不完全地取决于技巧了,更重要的恐怕还是取决于作品(人物、情节、故事)社会生活的依据是否真实可信。因为在这点上,若让埶感到虚假,就是露出了马絽,姽埶戓倦,甚至会被人斥为胡编乱造。
One notable feature of the drama “Black Hole” is that the vital character’s life lies in a sharp contradiction and collision without exception. Everyone seems to have been forced to act on the cliff edge of life and death, standing on the cusp of trying to find an immediate solution. This naturally has a thrilling dramatic conflict, treacherous change, ups and downs of the plot, but also naturally have what we call “screen attractive” things to stimulate the audience’s strong desire to watch. It should be said that this may draw on the concept of a typewriter of some type in Hollywood. The concept of the powerful and strong market attributes, but it is clever and dense and graceful swaddling, not easy to be aware and awareness of the audience. In order to impress people in order to be fascinating. The depth of possession, has not entirely depends on the skills, and more importantly, I am afraid it depends on the work (people, plots, stories) based on the social life is credible. Because at this point, if you feel false, you will be exposed as a stirrup. You will even be denounced as a nonsense.