李一生于孔孟故里,儒家文化在耳濡目染中早以融入血脉,这似乎是不求而在的。在他的书法创作中,小楷便充分地表现了“中和”的审美指向。其小楷接源魏晋,旁参隋唐写经,点画工丽,风神散逸,于不激不历中溢出浓郁的书卷气。秀美流便的行书,朴厚酣畅的章草,秀逸工稳的小楷,构成了李一书法创作的三种形态。在这三种型态里,既反应了作者驾驭多种书体的艺术才能,又表现了文化作用于书的统一性。 Li was born in the hometown of Confucius and Mencius, Confucianism in the early exposure to blood in the monasteries, this seems to be in demand. In his calligraphy creation, the lower case fully demonstrates the aesthetic point of “neutralization.” Its small case source of the Wei and Jin, next to the Sui and Tang dynasties by writing, painting workers Lai, Aeolus dissipated in the unscrupulous overflowing rich book gas. The beautiful flow of books, Pu thick hearty Zhangcao, Xi Yi stable small case, constitutes a calligraphy Li three forms. In these three types, it not only reflects the author’s artistic ability to master various book forms, but also shows the unity of culture in the book.