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本文通过对中国风景油画中切入传统中国文化的精神进行阐述,进而提出自己的观点,认为传统的文人画中的“写意”是中国风景油画审美领域的新拓展,并且分析了在中国风景油画的创作中如何使用传统文人画的表现形式。
By elaborating the spirit of cutting into the traditional Chinese culture in Chinese landscape painting, this article puts forward my own viewpoints that the “freehand” in the traditional literati painting is a new development in the aesthetic field of Chinese landscape painting, How to use traditional literati paintings in the creation of oil paintings.