(一)在20世纪二三十年代,一批有志于追求雕塑艺术真谛的中国青年东渡扶桑,西赴欧罗巴,去西方文明国家的高等艺术院校深造,他们把学到的写实主义的雕塑技巧带回祖国,在艺术创作和艺术教育上发挥了开创性的重要作用,并在创作实践中逐渐形成了各自的艺术走向。在此不妨先将在中国雕塑界享有“南张北刘”盛誉的张充仁和刘开渠作一比较。 (1) During the 1920s and 1930s, a group of Chinese youths who were interested in the pursuit of the essence of sculpture art went east to Fuso and went to Europe to go to advanced art colleges in Western countries for further studies. They learned the realistic sculpture The skills brought back to the motherland have played a pioneering and important role in art creation and art education, and gradually formed their own artistic trends in their creative practice. Here, we may first compare Zhang Chuanren and Liu Kaiqu who enjoy the prestige of “North Zhangbei Liu” in the Chinese sculpture community.