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近年来关于“转轮王”思想研究日渐成为文史研究者的焦点,其独特的宗教性与政治性结合体身份,以及与武则天统治的关系都引发争议。目前学者们多从其佛经与文史资料方面研究,唯独对其图像学研究较为忽略。且目前研究成果仅局限在古代中国,而“转轮王”流传于整个东亚,只有放置在东亚文明圈视野下才能洞察其完全本源。因此本文在东亚文明交流视野下,针对古印度孔雀王朝时期“转轮王”图像、北魏以后传入中国的转轮王图像、随密教传入日本的“金轮圣王”图像做对比分析,归纳出转轮王从起源开始至东渡日本的三个阶段以及每个阶段的特征,深究其蕴含的演变深意,并就其如何从世俗统治者转变至佛教最高神祇作出分析与佐证。
In recent years, the research on “the wheel of the king ” has gradually become the focus of the researchers of literature and history, and its unique combination of religious and political identities, as well as its relationship with Wu Zetian’s rule have all caused controversy. At present, scholars mostly study from their Buddhist scriptures and historical and cultural data, except for their image research. At present, the research results are limited to the ancient China, and the “Rotary Wang” spread throughout East Asia. Only when it is placed under the perspective of the East Asian Civilization Circle can it gain an insight into its complete origin. Therefore, under the perspective of the exchange of East Asian civilizations, this paper aims at the image of the “King of Runner” during the Peacock Dynasty in ancient India, the image of the runner king introduced to China after the Northern Wei Dynasty and the image of “King of the Golden Wheel” To make a contrastive analysis, this paper summarizes the three stages and the characteristics of each stage of the imperial wheels from its origins to the eastward crossing of Japan, investigating its implications for evolution and analyzing how it was transformed from the secular ruler to the supreme god of Buddhism. evidence.