英国作家戴维·洛奇将个人对宗教危机的思考融入作品创作中,他的创作可分为三个时期。在创作初期,洛奇利用戏拟与拼贴技巧将对教会的嘲讽隐藏于“文本狂欢”现象背后,行文中形成了荒诞与严肃对抗的张力场,在读者获得欢愉之余,引发对人性的思考。在创作中期,洛奇将文学创作引入现实生活,注重对人性、普世人文主义的颂扬以及对传统宗教教规、教义的重新审视与过滤。在创作后期,洛奇更加关注对人文主义关怀与宗教价值存在意义的探讨,由此激发了洛奇对此生与来世的重新思考。从被动的接受训诫到对宗教教规、教义的质疑、思考与宽容,洛奇在宗教创作的道路上完成了文学创作的朝圣之旅。 British writer David Lodge put personal thinking on the religious crisis into the creation of works, his creation can be divided into three periods. In the early days of his writing, Rocky used playful and collage techniques to hide the ridicule of the church behind the phenomenon of “textual carnival,” which formed a tension field of absurdity and serious confrontation. Thinking about humanity. In the mid-term of his writing, Rocky introduced literary creation into his real life and paid attention to the celebration of human nature and universal humanism as well as the reexamination and filtration of the traditional religious canons and doctrines. In the latter part of his writing, Lodge paid more attention to discussing the significance of humanistic concern and religious value, which inspired Lodge to reconsider this life and the afterlife. From passive acceptance of admonition to questioning of religious canons and doctrines, thinking and tolerance, Rocky completed a literary pilgrimage on the road to religious creation.