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韩愈的《琴操十首》是我国历代琴操诗的扛鼎之作。它借古鉴今,笞挞现实社会中的佞人专权,表达诗人憧憬圣贤的诉求;它巧妙地化用本事抒怀,展现了诗人的忠君意识、遗弃意识、反省意识和自赎意识相互交织的独特心灵世界;它奇辞与奥旨同辉,生命与意象叠印,以无我凸显自我,从而做到了古今贯通,物我无间,使音乐与诗歌完美地结合在一起,极大地推动了我国音乐文学的发展。
Han Yu’s “Ten Pianqin” is a tripod for piano poetry of ancient China. It borrows from ancient times the present situation and expresses the solicitude of the people in the real society to express the poet’s vision of the saints. It cleverly uses its capabilities to show the poet’s loyalty, abandonment, reflection and self-redemption Spiritual world; it Qi and Austrian Tongji the same purpose, overprint of life and image, with no self-prominence, so that the ancient and modern through things, I am seamless, the perfect combination of music and poetry, which greatly promoted the music literature in our country development of.