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我在几年的根艺创作实践中,在取材和造型方面,有一些粗浅的体会,愿在这里与大家交流。作品是否成功,取材是很关键的:一件原始树根到手后,应反复观察数日,根据材料的自然造型去发现形象。往往同一件树根在不同的情况下观察会产生出好几种不同的构思。这就要慎重考虑,选一个最典型、最自然而感人的形象。在构思成熟后,就要进行大胆的取舍。但必须取舍得当。因有些根的本身已基本完美,由于留舍不当,就会
In my years of practice of root art creation, I have some superficial experience in drawing and modeling, and I would like to share with you here. Whether the work is successful or not, drawing is crucial: after a piece of pristine roots reaches its hand, it should be observed repeatedly for several days, and the image is found according to the natural shape of the material. Often with the same root in different situations will produce a variety of different ideas. This should be carefully considered, choose the most typical, most natural and touching image. After the idea is mature, we must make a bold choice. But it must be properly chosen. Because some of the root itself has been basically perfect, due to improper stay will be