自陶瓷问世以来的千余年里,中国画绘画载体发生了重大变化,那就是陶瓷艺术的创作和制作。从元代青花《鬼谷子下山》的旷世之作,到浅降彩的程门、金品卿为代表的文人画,再到明清时代的粉彩、古彩和法郎彩的宫庭御瓷,至民国的“浇染”程子旭、王步的青花汾水,以及“珠山八友”月圆会,形成了各种流派、风格、个性和创作技法。在总结前人发明的技法中,对景德镇传统技法的广为认同中有:青花汾水、浇染技法、青花玲珑、高温颜色釉、古彩(粉彩)法郎彩、青花、镶雕技法、叠染技法,等等, Since the advent of ceramics for more than a thousand years, there has been a major change in the carrier of Chinese painting and painting, that is, the creation and production of ceramic art. From the unparalleled works of the Yuan Dynasty Qinghai “Guiguzi down the mountain” to the painting of Chengde and Jin Pinqing of the Qing Dynasty, and then to the imperial court porcelain of the pastel, antique and franc colors in the Ming and Qing Dynasties, In the Republic of China, Cheng Zixu, Wang Bu’s blue-and-white Fenshui, and “Friends of the Friends of the Pearl Mountain” will form a variety of genres, styles, personalities and creative techniques. In summarizing the techniques invented by our predecessors, the widely recognized traditional techniques of Jingdezhen are: Fenghua Fen, pouring techniques, blue and white exquisite, high temperature color glaze, antique (pastel) Franc color, blue and white, carving techniques, Stacking techniques, etc.,