历史上,庐山一直是文人墨客书写的对象,但写“山”实是写他们自己的“意”。古时柴桑的文人没有因这籍贯的缘故让他们的书写与众人区别。但上个世纪80年代以来,当代九江文人的庐山书写与众不同。影视展览,字里行间的历史追问,从山到老房子,从房子到人,从上层贵族到民间百姓,他们的书写让庐山的美越来越有内涵和力量。 Historically, Lushan has always been the object of writing by literati, but writing “Shan” really means writing their own “meaning”. In ancient times, Chai Sang’s literati did not differentiate their writing from others because of their native place. However, since the 1980s, writers at Lushan, a contemporary Jiujiang literary genre, are different from others. Film and television exhibitions, the history of the line between the questioning, from the mountains to the old house, from the house to people, from the upper aristocracy to folk people, their writing Lushan more and more beauty and strength.