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砚作正圆形,砚面大于砚底,砚体自上而下收缩内敛。砚缘宽阔,砚堂雕琢饱满,略微凸起,砚岗过渡自然流畅,砚背深凹。砚石质为龙尾山鱼子石,青黄色底板上密布黑色鱼子纹,色调古雅,质地细润。整砚制作规整,磨砻精细。砚池中有墨锈斑驳,锃亮如漆,涤之不去,平添几分古意。早些年,我在婺源龙尾山砚山村“玉铭砚斋”吴玉民、吴金花伉俪的协助下,曾于砚山村附近的茶树园下的宋代砚作坊废料堆积层里,采集到部分在制作过程中因砚材断裂报
Yan made for the round, inkstone larger than the inkstone, the inkstone contracted from the top down restrained. Inkstone wide, Yan Tang carving full, slightly raised, Yan-natural transition smooth, deep inkstone back. Yan stone for the Dragon Mountain roe stone, green and yellow on the floor black caviar, quaint, fine texture. The entire production of regular ink, grinding 砻 fine. Inkstone ink mottled mottled, bright as paint, cleansed, adding a bit of ancient meaning. In the early years, with the assistance of Wu Yumin and Wu Jinhua, I went to the waste accumulation layer of the Song Dynasty Yan Cha village under the tea tree garden near Yanshan Village and collected some information in the production process Due to Yan Fen broken newspaper