前几天,跟在北京市河北梆子剧团学习班任教的杜元庆老先生(名演员李桂云同志的老师)谈起这个学习班孩子们学戏的情况,他意味深长地说:“不知怎的,孩子们都变得机灵起来了。”按照老先生的启示,我在这个学习班的老师和学生中间去寻求那个“不知怎的”的答案,他们共同的体会是:只因有了“政治、文化、新方法”。记得李刚同志在两年多以前谈到这个学习班的教学经验的时候,并不是这样谈的。李刚同志认为这个学习班的成功经验主要在于领导上尊重老艺人,“在艺术上和教学上特别尊重老师们的意见,所教的戏都是由他们自己提出计划,领导上审查批准就完了。对具体教法决不过多的干涉。”同时还在于在练工教戏方法上完全继承了过去的小科 A few days ago, Mr. Du Yuanqing, an old teacher (comrade Li Guiyun), who teaches at the workshop of Hebei Bangzi Theater in Beijing, talked about the children’s learning in this class. He said meaningfully: “Somehow, children All of us have become clever. ”According to Mr. Lao’s revelation, I sought the“ somehow ”answer among the teachers and students in this class. Their common experience was that only because of the“ political and cultural ,new method”. I remember Comrade Li Gang when talking about the teaching experience of this study class more than two years ago, this is not the case. Comrade Li Gang believed that the successful experience of this seminar mainly lies in respecting the older artists in terms of leadership. He “has the special respect of teachers’ opinions both in art and in teaching. All the teaching is taught by themselves and the leaders review and approve them.” On the specific teachings will not interfere too much. "At the same time also lies in the practice of teaching methods completely inherited the past small