中国版画的现状目前应该还算正常。版画教学培养了大批专业版画人才,在过去的30年间不仅在学院普及了“三版”(铜版、石版和丝网版)和综合版,而且基本完成了对几个传统版种的本体语言研究。版画的整体学术水平也并不低于其他画种。当前的中国版画,从最传统的木刻样式到最时髦的数码技术,可以说应有尽有,并且从中国版画自身的发展来看,还涌现出一批好作品。 The current status of Chinese prints should be quite normal now. The teaching of printmaking has trained a large number of professional print talents. In the past 30 years, not only the “Three Editions” (copperplate, litho and screen version) and comprehensive editions have been popularized in the academy, but also several ontology Language Studies. The overall academic level of print is not lower than other paintings. The current Chinese printmaking, ranging from the most traditional woodcut style to the most fashionable digital technology, can be said to have everything that one expects to find. From the perspective of the development of Chinese print itself, a number of good works have also emerged.