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在侧孔类管乐器中,传统六孔笛和增孔(八孔、十孔、十一孔等)笛子的演奏指法与人的心理——生理特征有无关系?加键笛子的结构形式同演奏指法的心理——生理特征的联系是否存在逻辑功能?这两个问题在当前很有必要进行专题讨论和深入研究。为了改进我国民族管乐器的转调性能,早在三十年代丁燮林就开始探索用单纯增挖侧孔的方法来键全笛子的半音了。这一方法至今仍有不少人采用的主要理由是,它既解决了转调问题,又保持了民族演奏技巧。解放
In side-hole type wind instruments, is there any relationship between the fingering of the traditional six-flute and flute (eight holes, ten holes, eleven holes, etc.) and the psycho-physiological characteristics of people? Whether there is a logical function of the relationship between the psychology of fingering and the physiological characteristics? These two issues are in the current need for discussion and in-depth study. In order to improve the transfer performance of our national wind instruments, Ding Xielin started to explore the semitone of the whole flute with the method of simply digging the side holes as early as the 1930s. The main reason that many people still use this method so far is that it not only resolves the problem of transfer but also maintains the national performance skills. liberation