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在文学革命之初,胡适、陈独秀等人提出了以翻译为创造新文学的先导的主张。这一方案的产生,源于文学革命的指导思想,是西方的“literature”这一概念。自晚清以来,随着西方学术体系的输入,这一概念就开始传入中国,并最终形成了现代的“文学”观念。由于对这一观念有不同的认识,在新文学的建设方案上,新文学阵营内部存在着分歧。而后来出现的创造社,则完全否定了翻译在新文学创造中的主导地位。
At the beginning of the literary revolution, Hu Shih and Chen Duxiu put forward the idea of being translated as the precursor to the creation of new literature. The production of this program stems from the guiding ideology of the literary revolution and is the concept of “literature ” in the West. Since the late Qing dynasty, with the input of western academic system, the concept began to spread to China and finally formed the modern concept of “literature.” Due to different understanding of this concept, there are differences within the new literature camp in the construction of new literature. Later creation clubs totally negated the dominance of translation in the creation of new literature.