战国时期服饰图案开始注重艺术形象的整体性,而不是拘泥于细部和局部的刻画。在艺术处理上,多用以少胜多、以虚带实、造型概括逼真的对比手法来表现那种简洁淳厚的美。图为战国楚墓帛画《龙凤仕女图》。源于生活,服饰图案形成于人们的观念,因而,作为源于生活和形成于观念的服饰 Warring States period costumes began to focus on the overall image of the art, rather than rigidly adhere to the details and local portrayal. In the artistic treatment, it is often used to show the simple, honest beauty by using less wins and more with virtual contrasting techniques. The picture shows the Warring States Chu tombs painting “Long Feng Shi female figure.” From life, clothing patterns formed in people’s ideas, therefore, as a result of life and formed in the concept of clothing