论文部分内容阅读
第二章新印象派很少有象新印象派(Neo-impressionnistes)画家那样对自己想做的一切具有如此清醒的了解;也很少有象他们这样的画家对书面陈述自己的纲要计划和方法感受到如此程度的需要。不仅仅保尔·西涅克(Paul Signac)一人在1899年发表了一部名副其实的论著《从德拉克洛瓦到新印象派》,1890年,新兴流派的主将修拉(Georges Seurat)又用简练的文字给他的美学思想下了定义。新印象派画家主张必须仔细分析所观察的一切,采用系统的方法加以表现,明确分辨固有色和光色彩的区别,以及物体在各种情况下的反应。他们都仔细认真地研读过舍夫勒耳的论著《同时对比的色
Chapter Two Neo-impressionists rarely have such a sober understanding of what they want to do as the Neo-impressionnistes painters do; and few artists like them present their own outline of the plan and method of writing Such a degree of need. Not only did one of Paul Signac publish a veritable treatise from Delacroix to the New Impressionist in 1899, but again in 1890 by Georges Seurat, His writing defines his aesthetic ideas. Neo-Impressionist advocates must carefully analyze what is observed, use a systematic approach to express, clearly distinguish between natural and light color differences, and objects in various situations. They have carefully studied Schaeffler’s treatise "the contrast of colors