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苏珊·桑塔格在“赎罪日战争”尚未停火之际亲赴以色列,拍摄了纪录片《希望之乡》,借助于电影这个热媒介,对战争进行了一次冷观察。从电影地理的角度来看,该片不仅另辟蹊径地呈现了战争景观,无言地控诉了战争带来的破坏和痛苦,而且还通过对地理景观和社会景观的细致刻画,将阿以冲突产生的后果以及阿拉伯人和以色列人难以真正融合的困境展现出来。桑塔格刻意隐去自己的声音,任由影片自身去诉说,鼓励观众自己去思考和评判。
Susan Sontag went to Israel on the occasion of the Atonement War on the occasion of a cease-fire, filmed the documentary “Home of Hope,” and used the cinema as a hot medium to conduct a cold war on the war. From the film geography point of view, the film not only presents the war landscape in other ways, silently sues for the destruction and suffering caused by the war, but also through the detailed description of the geographical landscape and social landscape, the Arab-Israeli conflict The consequences and the difficulties that the Arabs and Israelis find it hard to truly integrate. Sontag deliberately hidden their voices, let the film itself to tell, encourage the audience to think and judge.