在萨奇、尤伦斯、希克等国际藏家抛售之后,昌阿特、阿特塞帝、阿拉里奥等韩资画廊陆续撤离,画廊业在国内生存之艰难可见一斑。韩系画廊之痛新年伊始,阿拉里奥紧步昌阿特、阿特塞帝的后尘,宣布退出中国市场。与当年外资画廊扎堆入驻北京的热潮相比,这次黯然离场多了几分英雄末路的悲凉。要知道,这些韩系画廊曾大力推动过中国当代艺术的发展,几乎与张晓刚、岳敏君、方力钧、王广义、曾梵志等知名艺术家都有过合作,因此,这次集体退市在业界引发了强烈反响。不过,天问国际拍卖有限公司总经理季涛对此并不感到意外:“从市场角度而言,这是比较正常的现象,其实一直有很多外资画廊做不好而退出中国市场,只是韩国画廊群体相 After the sell-off of international collectors such as Saatchi, Ullens, Hick and other Korean collectors, the Korean gallery such as Changat, Artemis, and Arario gradually evacuated, showing the hardships of the gallery industry in China. The pain of the Korean gallery At the beginning of the new year, Alarios tight Chang Chang Te, Artest’s successor, announced its withdrawal from the Chinese market. Compared with the upsurge of the foreign-funded galleries to get together in Beijing, the sadness of leaving the field was somewhat more than the heroic end. You know, these Korean gallery has vigorously promoted the development of Chinese contemporary art, almost with Zhang Xiaogang, Yue Minjun, Fang Lijun, Wang Guangyi, Zeng Fanzhi and other famous artists have had cooperation, therefore, the collective delisting in the industry caused a strong repercussions. However, Quotations International Auction Co., Ltd. General Manager Ji Tao is not surprised: ”From a market point of view, this is a more normal phenomenon, in fact, there have been many foreign galleries doing well to exit the Chinese market, but South Korea Gallery group phase