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本文试图通过对十九世纪末到如今的海报设计在政治中的作用进行搜集整理和研究,探究海报设计发展的微观和宏观内容、海报设计的来源、发展背景、海报设计的前身、海报设计与政治之间的关系等等。纵向以时间轴为主干,横向分为欧洲和中国两个地域。其中,欧洲的艺术风格多样,各国家中的艺术团体的主张又不同,相反中国的政治宣传中的海报设计风格单一,主题丰富。此文旨在点明设计对国家意识形态的积极作用,以及对提高国民艺术意识的帮助作用。
This article attempts to collect and collate the research on the poster design in the late nineteenth century through the political role of poster design in order to explore the microscopic and macroscopic contents of poster design development, the origin of poster design, the development background, the predecessor of poster design, poster design and politics The relationship between and so on. Longitudinal time axis as the backbone, divided into two regions of Europe and China. Among them, Europe has a variety of artistic styles, and artistic groups in different countries have different opinions. On the contrary, posters in China’s political propaganda have a single style and rich themes. The purpose of this article is to point out the positive effects of design on state ideology and to help improve the awareness of national art.