东方元素的再次兴起不仅带动了各美术领域的设计风格的回归,并且将这股潮流之风刮向了年轻的手游界。快节奏、打击感强、内容有层次的手游具有一定的可玩性,的确能够吸引玩家。但于此同时,手游制作者应了解,忽略了UI界面设计的手游同样会失去很多关注“审美”体验的玩家。因此,本文通过形、韵、色、融四个方面阐述了东方审美下的手游界面设计。 The re-emergence of oriental elements has not only brought about the return of the design styles in various art fields, but also shaved the trend of this trend to the young hand travel industry. Fast-paced, strong sense of combat, the contents of the level of hand travel has a certain playability, indeed able to attract players. But at the same time, hand-game makers should be aware that hand-porters that ignore the UI interface design also lose a lot of players who are concerned about “aesthetic” experiences. Therefore, this article elaborates the design of the mobile game interface under the eastern aesthetic through four aspects: shape, rhyme, color and financial.