18世纪英国对克劳德·洛兰等人的风景画所引发的风景审美意识,刺激了他们对中国园林的激赏,二者结合起来影响英国园林,进而引发出关于“如画”观念的美学探讨。中国园林的影响虽然无可置疑,但由此而生发的“如画”(picturesque)观念与中国的“如画”(画意)观念却相差甚远。后者更多地追求主体融入自然的情感价值,前者则更多地追求自然所能表现的美学价值。 The 18th century British aesthetic appreciation of the scenery of Claude Lolan et al. Stimulated their appreciation of the Chinese garden and combined them to influence the English garden, which in turn led to the notion of “picturesque” Aesthetic study. Although the influence of Chinese gardens is beyond doubt, the concept of “picturesque” originating from this is far from the notion of “picturesque” in China. The latter pursues more the emotional value of the main body into nature, while the former pursues the aesthetic value that nature can express more.