山水画乃中国传统绘画之大宗,技法与形态堪称最完备,因此给后人所留的空间较之其他画科难免小而窄。山水画进入强调个性的当代语境中,面临诸多问题,避免因重复而失去艺术性的困境,已然是一个不容忽视的课题。众所周知,绘画样态的变异和革新是艺术得以不断衍生推进的基本逻辑。韩振刚教授深谙其中三昧,他说:“形成个性化的描绘对象与风格,不能重复;否则养成习气,作品僵板是危险信号,要考虑变法。我反对迁就自己,那样会造成舒舒服服的踏步,艺术生命实已休眠,想她复苏就迟了!”那么,有没 Landscape painting is the bulk of traditional Chinese painting. Its technique and form are the most complete. Therefore, space for future generations is smaller and narrower than that of other paintings. In the contemporary context of emphasizing individuality, landscape painting is faced with many problems. It is already an issue that can not be neglected to avoid the plight of artistic loss caused by repetition. As we all know, the variation and innovation of the painting style is the basic logic that the art can be continuously derived and promoted. Professor Han Zhengang is very familiar with the three kinds of ignorance, he said: “The formation of personalized portrayal of objects and styles, can not be repeated; otherwise develop habits, works stiff is a danger signal, to consider the change method .I object to accommodate myself, that will cause comfort The service step, the art of life has really gone to sleep, think her recovery is late! ”So, is there