没到呼伦贝尔之前,它在我的认识里,是唐代诗人们曾不胜唏嘘的边外荒凉之地,比如“天外边风迎面沙”(黄幼藻);“云阴月黑风沙恶”(白居易);“边城何萧条,白日黄云昏”(高适);“草上孤城白,沙翻大漠黄”(齐己)……虽然,在我们当代带着强烈诗意的宣传片里,它已有了茵茵绿草、朗朗蓝天、猎猎彩旗、骠骠骏马,还有满脸灿烂笑容的各族牧民,但我不知为什么,自己固执地认定,那是被雕刻过了的盆景。 Before it came to Hulun Buir, it was, in my knowledge, the place where the poets in the Tang Dynasty had marched to the edge of desolate places such as the “ ”(Bai Juyi); “ the edge of any depression in the city, day and night ”(high fitness); “ Grass on the isolated white, sand turn yellow desert ”(Qi) ... ... Although, in our contemporary with a strong In the poetic propaganda film, it has been invaded by grass, languid blue skies, hunting banners, savage horses, and herdsmen of all nationalities with brilliant smiling faces. However, I do not know why, I stubbornly determined that it was carved After the bonsai.