墨西哥女性画家弗里达·卡罗并不属于特定的艺术流派,却被女性主义、超现实主义等流派拉入了各自的阵营中。不可否认,弗里达作品风格确实与超现实主义绘画有相似性,但其在本质上还是有所不同的。本文从精神分析学的角度探究了弗里达作品与超现实主义之间的区分,并回归到墨西哥文化土壤中对弗里达画作风格进行重新界定。 Mexican female painter Frida Carlo does not belong to a particular art genre, but was feminism, surrealism and other genres into their respective camps. Admittedly, Frida’s style does indeed resemble Surrealist painting, but in essence it is different. This article explores the distinction between Frida’s works and Surrealism from the perspective of psychoanalysis, and returns to the Mexican cultural soil to redefine Frida’s painting style.