近50年的中国书法理论走过了一些令人遗憾的曲折之路,也出现了许多超越历史的闪光亮点。20世纪50年代沈尹默的几篇“二王”笔法论,宗白华数量不多的书法美学论文,潘伯鹰、郑诵先等几本书史、技法小册子,总算未使那一书法低谷时代出现理论上的空白。“文革”十年前后, Nearly 50 years of Chinese calligraphy theory has gone through some regrettable twists and turns, but also appeared in many highlights beyond the flash of history. In the 1950s, a few “book of the two kings” by Shen Yinmo and a few books of calligraphy and aesthetics by Zong Baihua, Pan Boying, Zheng Chaxian, etc., did not appear theoretically in the calligrapher era Whitespace. Ten years after the “Cultural Revolution”