她是四川美术学院第一任院长、中国近代漆器艺术的奠基人沈福文教授的后人,她曾下岗,巨大的身份落差并没有泯灭她的理想,她带领几个兄弟姐妹干起了经营漆器的个体工商户。她几经曲折,硬是凭着政府的扶持和一股子的坚韧,在带动共同富裕的同时,也唤醒着人们对漆器艺术的温暖记忆……她的名字 She was the first dean of the Sichuan Academy of Fine Arts and a posterity of Professor Shen Fuwen, the founder of the modern lacquer art in China, who had been laid off. Her huge identity loss did not destroy her ideal. She led several brothers and sisters to run lacquer wares. Individual industrial and commercial households. Her twists and turns, simply by the government’s support and one piece of tenacity, while driving common prosperity, but also awaken people’s memory of the warmth of lacquer art ... her name