《建国大业》、《建党伟业》两部主旋律献礼影片是国家正史的影像化表述。本文认为,这两部影片对历史时间做了数个类似于长焦镜头中的“长焦化”处理:把位于历史景深中的数个节点相继置于前景,节点中所包含的人物/事件细节被造型和强化。具体而言,情节设计上对历史的传奇化演绎和细节化铺陈、人物塑造的高度偶像化与泛情主义处理、对场景和段落形式感的追求是两部影片对历史造型的主要策略。对历史节点的当代造型折射了当下具有代表性的历史审美观,它也以历史的布景化和完整历史观的缺失为必然代价。 “The Founding of the Republic,” “Party Albert” The two main theme gift film is the state history of the image of the statement. This paper argues that these two films do a number of “telephoto” processing of historical time in the telephoto lens: placing several nodes in the historical depth of field one after the other in the foreground, the characters / Event details are stylized and enhanced. Specifically, plot-based interpretation of the history of the legendary details and elaborate, the characterization of a high degree of idolization and the treatment of rhetoric, the pursuit of formal sense of scene and paragraph is the main strategy of the two films on the historical modeling. The contemporary style of the historical node reflects the contemporary representative of the historical aesthetic, it also the historical setting and the lack of a complete historical view of the necessary cost.