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将近30年的盆景(树桩)制作实践活动,和始终放不下的理论求索,让笔者终于有了这样的发现:就其本质而言,盆景(树桩)是生命的雕塑艺术。很多年前,《花木盆景》杂志举办创刊5周年征文比赛,笔者写篇题目为《融根雕与桩景为一体——试论泉州榕景的地方艺术特色》的文章参加,虽然文章评述的对象是几件具体的作品和所在区域的艺术特色,但里面隐约掩藏一种感觉:树桩盆景作品已经出现可喜的创造性趋向,雕塑指向明显成为这门艺术突破的新路径。
Nearly 30 years of bonsai (stump) production practice, and always put theory to search, so I finally got the discovery: by its very nature, bonsai (stump) is the sculpture of life. Many years ago, “Flower and potted bonsai” magazine held the first essay contest for the 5th anniversary. The author wrote an essay titled “Integrating root and pile as a whole - on the local artistic features of Rongjing in Quanzhou”. Although the articles reviewed Is a few concrete works and the artistic characteristics of the region where they are, but there is a vague sense of hidden feeling: the delightful creative tendency of stump bonsai works has emerged and the orientation of sculpture has clearly become a new path for this artistic breakthrough.