本期我们发表了郜磊执笔创作的黄梅戏神话音乐剧《嫦娥奔月》,这是一个与以往黄梅戏不太一样的黄梅戏,期待引起注意。 多年来,为了走出困难之境再创辉煌,黄梅戏一直在呼唤新作。从数量上看,我省黄梅戏并不缺少新创作的剧本,但是真正在形式上、内容上都有自觉的创新追求,与当代青年观众的审美意识结合得较好的力作却又寥若晨星,千呼难唤。这种状况令人感到十分苦涩。 最近,戏剧界越来越多的有识之士提出,中国戏曲应该研究和借鉴西方音乐剧的成功经验。音乐剧是当代西方世界很流行的一种通俗戏剧样式,它的线条简明的结构方式,载歌载舞的表演形式,都和中国戏曲相接近。由于不断地追求创新,紧紧契合当代西方大众阶层的审美情趣,俗中求新、俗中求变,音乐剧在当代世界多种传媒争妍斗胜的激烈竞争中,牢牢占据着自己的一席之地,拥有广泛的观众群。西方音乐剧的红火与中国戏曲的冷落形成对照,给予了我们丰富的启迪。八十年代初,中国话剧与音乐剧结合的样品《搭错车》取得出乎意料的火爆成功,使整个戏剧界大为震动。继之,不少戏曲剧种也先后开始了借鉴和汲取音乐剧、适应当代青年观众的探索。 In this issue, we publish the mythical musical “Chang’e to the Moon” of Huangmei opera written by Zao Lei. This is a different kind of Huangmei opera from the previous Huangmei opera and we look forward to receiving our attention. Over the years, in order to get out of the difficult situation and create greater glories, Huangmei opera has been calling for a new work. In terms of quantity, the Huangmei Opera in our province does not lack the script for the newly created works. However, there is a conscious pursuit of innovation in both form and content. However, there are few celebrities and celebrities who work well with the aesthetic awareness of contemporary young audiences. Hard to call. This situation is very bitter. Recently, more and more people in the theater have proposed that Chinese opera should study and learn from the successful experience of Western musicals. Musical theater is a popular drama style popular in the contemporary western world. Its concise line structure and singing and dancing performances are similar to Chinese opera. Due to constant pursuit of innovation, the aesthetic taste of contemporary Western mass class closely meets the demands of vulgarity and vulgarity. As a result, in the fierce competition in which various media in the contemporary world compete vigorously and victoriously, the musical occupy itself firmly A place, with a wide audience. The red fire of western musical drama contrasts with the neglect of Chinese traditional opera, which gives us abundant enlightenment. In the early 1980s, the sample “Take the wrong car”, a combination of Chinese drama and musical drama, made an unexpectedly popular success, shocking the entire drama industry. Followed, many operas have begun to draw lessons and learn musicals to adapt to the exploration of contemporary young audiences.