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在20世纪90年代崛起的青年批评家中,黄发有是稳健扎实而又锋芒毕露的一位。他对新生代作家、文学期刊和文学出版的研究,立论尖锐,批判有力,而又有理有据,从容不迫,颇有大将风度,在评论界引起了一片叫好声。这一切既与他的个性、才华有关,也显然得益于在复旦大学师从著名评论家潘旭澜教授时所受的刻苦严格的学术训练。他的《诗性的燃烧——张承志论》、《准个体化时代的写作——20世纪90年代小说研究》以及《想象的代价》等著作及其一大批批评文章,不仅留下了一个青年批评家艰苦跋涉、勇于探索、不断超越的足迹,而且也会聚着一个思想者似火的激情、鹰眼般敏锐的眼光与坚如磐石的信念。
Among the young critics who emerged in the 1990s, Huang Fa was a steady, solid and hard-edged one. His research on the new generation of writers, literary periodicals and literary publishing, his sharp criticism, powerful criticism, rational and evidence-based, unobtrusive and generous general arouses a good voice in the critics. All this is related to his personality and talent, and apparently benefited from the hard-working and rigorous academic training that Fudan University taught under the famous critic Pan Xulan. His works such as “The Burning of Poeticity - On Zhang Chengzhi”, “Quasi-Individual Writing - Research on Novels in the 1990’s” and “The Cost of Imagination” and a large number of critical articles leave not only one Young critics trek, dare to explore, constantly beyond the footsteps of their own, but also gather a thinkers passionate, eagle-eyed keen vision and rock-solid faith.