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传统文人形态的写意花鸟画重在以花鸟草木寓兴传神,观物取象以写逸趣,凝聚了写意精神的神髓。写意花鸟画的当代拓展,更将中国传统画论中“造物”、“造化”的理念,与西方哲学对于“万物”(universe)概念的阐述相融合,增益与丰富了传统笔墨物象的内涵。通过这种以小窥大、一叶知秋的观察、描述与呈现方式,花鸟画艺术的创作理路连同其方法论都构成了画家对于自然、对于“物”的主体化观照。
The traditional style of literati freehand flowers and birds focus on the birds and flowers aloof and vivid description of things to take the image to write Yi Yi, condensing the spirit of freehand spirit. The contemporary expansion of the freehand flower and bird painting further enriches the concepts of “creation ” and “creation ” in Chinese traditional painting theory with the explanations of western philosophy for the concept of “universe” The Connotation of the Traditional Brushwork. Through this kind of observation, description and presentation with small glimpse of the big picture and knowing the past, the creative approach of the art of flower and bird painting together with its methodology constitutes the subjective view of the artist for the nature and for the “thing”.