笔者因饰演王延松导演英文版《原野》中的花金子,故有幸随王导演走进《原野》,感受经典,个中体悟,始大遂深。一《原野》是曹禺先生继《雷雨》、《日出》之后的第三部作品,被视为曹禺生命三部曲之一。然而《原野》与《雷雨》、《日出》又有很大不同,它更殷实地包裹了曹禺对宇宙、对人性的探索和追问,也因此负载了更多非现实主义的元素,它的难导、难排连曹禺本人也多次承认。在《原野》附记中,曹禺曾言:“这个戏的演出比较难,第一,角色便难找,仇虎,焦氏,金子,大星都极重……怎样把演员分配得均匀,在每个角 Because I play director Wang Yansong’s English version of ”wilderness“ in the flower gold, so fortunate enough to go with the director Wang into the ”wilderness“, feel the classics, one of the comprehension, beginning big deep. A ”Wilderness“ is Mr. Cao Yu’s third work after Thunderstorm and Sunrise. He is considered as one of the trilogy of Cao Yu’s life. However, ”Wilderness“ is very different from ”Thunderstorm“ and ”Sunrise.“ It more solidly encapsulates Cao Yu’s exploration and questioning of the universe and human nature and thus loads more elements of non-realistic elements. Difficult to guide, difficult row even Cao Yu himself repeatedly admitted. In the ”Wilderness“ note, Cao Yu has said: ”This show’s performance is more difficult, first, the role will be hard to find, Qiu Hu, Jiao, gold, big stars are extremely heavy ... ... how to distribute the actors uniform , At every corner