新世纪的戏曲舞台,创作呈现多种景象:有宣扬社会改革的改良戏曲;有提倡现代化、民族化的现代戏曲;有探索人物心路历程的哲理戏曲;有揭露批判现实弊端的社会问题戏曲;也有实验西方戏曲理念的先锋戏曲。姑且不论这些戏曲革新探索的成败与否,笔者以为,戏曲对于新的表现手法的探索应该以戏曲观众的审美心理作为革新的依据。 The stage of the opera in the new century presents a variety of scenes: improved drama that promotes social reform; modern drama that advocates modernization and nationalization; philosophical drama that explores the mentality of the characters; the drama of social issues that expose the shortcomings of criticism; Pioneering Drama of Experimenting with Western Opera Theory. Regardless of the success or failure of these dramatic innovations, the author believes that the exploration of new expressions of opera should be based on the aesthetic psychology of the audience.