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以鲁迅为代表的五四启蒙者对农民的启蒙活动,因为所采取的广场宣讲形式与农民接受习惯的隔膜而导致失败。赵树理的创作起点便是对这次失败的反思,他依据自身对农民文化心理熟悉的天然条件改造民间文艺形式,用以传播启蒙思想,而时代主流政治话语对文学大众化的要求也促使它把赵树理树为新文艺方向,因此启蒙思想得以在农民中间广泛传播。但同时,政治话语的目的重在意识形态宣传,从而造成对他的思想启蒙话语的压抑,农民在对赵树理作品接受过程中,也依据自己固有的欣赏习惯进行取舍,往往注重欣赏其通俗的文艺形式,而忽略了所包含的启蒙思想。
Enlightenment by the May Fourth Enlightenment, represented by Lu Xun, to peasants failed because of the square preaching style adopted by the peasants and the habits of the peasants. Zhao Shuli’s starting point is the reflection on this failure. He reformed the folk literature and art form according to his own natural conditions familiar to peasant cultural psychology to spread the enlightenment thought. However, the demand of popularization of the mainstream political discourse in the era also prompted Zhao Shuli Tree is the direction of new literature and art, so enlightenment ideas can be widely disseminated among peasants. At the same time, however, the purpose of political discourse lies in ideological propaganda, which leads to the repression of his enlightenment words. When farmers accept Zhao Shu-li’s works, they choose according to their own inherent appreciation habits, and often attach importance to enjoying popular literature and art Form, while ignoring the enlightenment ideas contained.