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《收租院》作为耳熟能详的的泥塑艺术作品早已被中国乃至世界人民所熟悉,它自诞生以到现在经历了47年的风雨,在这47年里,《收租院》的命运在我国的政治需求下历经了戏剧性的变化和沉浮,同时也使得人们重新认识和反思这件作品。
As a well-known art of clay sculpture, the “rental house” has long been familiar to the people in China and the world. Since its birth, it has now gone through 47 years of storm. In the past 47 years, the fate of “renting a house” Under the political demands, dramatic changes and ups and downs have taken place, at the same time, people have re-realized and reflected on this work.