作为一个戏剧编导,他最大的困惑也许不是如何在花样上不断翻新,而是如何去把握当代戏剧观众的审美要求;他们最大的悲哀并不是一出戏引起非议、争论,而是观众和评论界的冷淡、沉默。于是,象企业家们关注市场信息一样,剧作家、导演们也越来越对观众的审美需求给以最多的注意。因为,只有了解观众的审美需求,剧本才容易为观众接受,才容易见好、爆满,而这无疑是剧作家、导演们梦寐以求的好 As a director of drama, his greatest confusion may not be how to constantly innovate in the design, but how to grasp the aesthetic requirements of contemporary theater audiences; their greatest sadness is not a drama arouses criticisms and controversies, but the audience and critics Cold, silent. Thus, as entrepreneurs concerned about the market information, the dramatists, directors are also increasingly the audience’s aesthetic needs to give the most attention. Because, only by understanding the aesthetic needs of the audience, the script is easy for the audience to accept, it is easy to see, full, and this is undoubtedly the playwright, director dreams of good