朱光潜的文学理论观点在 1936年左右发生了某种重要转向 ,由于时代环境以及自身学术研究的进展 ,他从以“直觉论”为基础的个体表现论的诗学走向了文化诗学的探索 ,他致力于探讨民族文学传统形式的源流 ,认为只有接通凝聚了民族共同情感的文学形式传统 ,新文学才有可能获得强大的生命力。因此 ,文学的形式创造动力在于文化 ,但是 ,只有情感性的文化才能成为诗学的文化 ,而诗人的作用就在于创造一种情感性的诗学文化 ,由此他提出并实践了一种人格—风格论批评 Zhu Guangqian’s literary theory took place some important turn around in 1936. Due to the time environment and the progress of his own academic research, he moved from the poetics of individual performance theory based on “intuitionism” to the exploration of cultural poetics, He devoted himself to discussing the origins of the traditional forms of ethnic literature and believed that it was only possible to get the powerful vitality of the new literature only by connecting with the tradition of the literary form that embodies the common national feeling. Therefore, the motive force of literature creation lies in culture. However, only the emotional culture can become the culture of poetics, and the role of the poet is to create a sentimental poetic culture. Therefore, he proposes and practices a kind of personality Criticism of Style