试从生态美学角度对庄生化蝶进行了现代解读。庄周化蝶的实质是他的精神生态的一次还乡,是其与宇宙精神合流的生态对话;其“物化”的内在机制和生态前提是宇宙生命节律;其达到的审美化境是“生态大我”的实现。 Trying to make a modern interpretation of Zhuangshenghua butterflies from the perspective of ecological aesthetics. The essence of Zhuang Zhouhua’s butterflies is a return to his spiritual ecology, which is an ecological dialogues with the spirit of the universe. The intrinsic mechanism and ecological premise of his “materialization” is the cosmic rhythm of life; the aesthetic environment it achieves is The realization of “ecological big I”.