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安德烈·纪德在早期创作中致力于探讨自我与上帝之间的关系以及由此产生的各种伦理问题,其中《非道德的人》《窄门》和《田园交响曲》三部作品集中体现了他对这一问题的关注。这三部作品通过阐释“非道德”主义肯定了主体自我意识的觉醒,由批判盲目追求道德纯洁性而否定了主体对宗教教义的盲从,进而揭示了主体因伦理诉求与道德规范冲突而导致的困境。这些问题反映了纪德对自我与上帝之间关系的重新定位,既是其个人价值观和道德观的重建过程,也是主体自我认同重新确立的途径。
In his early writings, André Gide devoted itself to exploring the relationship between self and God and the various ethical issues arising from them. Among them, “unethical” “narrow door” and “pastoral symphony” three works Concentrated on his attention to this issue. These three works affirm the awakening of subject’s self-consciousness by interpreting “non-moral ” doctrine, negating the subject’s blind obedience to religious doctrine by blindly pursuing moral purity, and revealing that subject’s conflict between ethical appeal and moral norms Lead to the dilemma. These questions reflect that Jide’s reorientation of the relationship between self and God is both a process of reconstruction of his personal values and moral values and a way of reestablishing the subject’s self-identity.