近日在《北京文学》上读到了厉彥林老师的散文《人民,人民》。厉彦林老师是写散文的高手,这么多年虽然与他从未谋面,却读过很多他的散文及散文诗作品。印象中他把散文当作雕刻,总是讲究细节的准确和完美,讲求整体的层次感与棱角分明,读了便有雕像般的景像在眼前久久晃动。《人民,人民》同样是这样一篇文章。从2009年动笔,到2014年完成最后一次修改,厉彥林老师用了五年时间“雕刻”这篇只不过九千余 Recently read “Li Wenyan” essay “People, People” on “Beijing Literature”. Li Yanlin teacher is a master of essay writing, so many years though he never met, but read a lot of his prose and prose poetry. Impression of his prose as a sculpture, always pay attention to the accuracy and perfection of the details, emphasis on the overall sense of hierarchy and angular, there will be a statue-like scene read a long time shaking. “People, people” is also an article like this. From 2009 to the pen, to be completed in 2014 the last revision, Li Yanlin teacher spent five years “carving ” This is only nine thousand